Title Screen Construction
We decided to produce our own title screen to add at the end of the trailer to remind audiences of the release date and name of the film. I created it on paint.net, using the vignette feature to put an emphasis on the title and date, as well as to create an effect that makes it look like darkness is engulfing the screen, which fits in conventionally with the horror genre. The date is smaller as it isn't as crucial as the title, which is an audiences main port of call when researching into a film. This title screen was inspired by the trailer of 'The Conjuring 2' which I analysed at the start of the year. That title screen can be seen below.
Major Changes to Magazine Cover
After receiving some audience feedback from my peers and feeling
unsure about the magazine cover myself, I decided that I would still keep a lot
of my initial ideas but start to construct the magazine again. The main
audience feedback I received was in regard to my choice of main image and some
of the colours, and from this I decided to experiment with different images and
use a more simple, conventional colour scheme of solely red, black and white.
For my initial draft of my second attempt, I kept my idea of
the film strip along the bottom with some upcoming releases in the genre, as I
thought this was really effective when seen on other film magazine covers and
from the audience feedback I received, I felt that they thought this was the
most effective part of my first cover attempt. I kept the same 'Empire' masthead
and increased the size slightly, and this time placed the barcode landscape
just beneath it to increase the amount of space that could be used down the
right hand side. I included the same 'Delilah' title but again increased the
size of this so it was more of a main focus of the cover. The biggest initial
change I have made is the main image itself, as I chose a different image
completely, and changed it to black and white as well as adding a red tint to
our character's eyes. This allows the image to appear a lot more sinister and
fit more with the conventional features of a typical horror villain.
Next, I firstly added some dark red blood splatters to the
background of the image, but reduced the opacity in order to make them more
subtle and not detract the focus from the main image itself. I also added some
more basic conventional elements of the magazine cover such as the web address,
the date and price, and the strapline of 'The world's biggest movie magazine',
which is partly covered by the image as can often be seen on other 'Empire'
covers. Above the masthead, I used my previous idea of the '30 page horror
special' but in a different layout, using a clear and bold sans serif font in
order for this to be easier to read. Lastly, above the film strip, I created a
'Plus' text, which will act as a buzz word, as well as looking more
professional than my first cover attempt in the way that it is presented.
For the final stage of my magazine cover construction, my
most important task was to add the cover lines and finishing touches. As shown
above, for my cover lines I used the same ideas from my initial cover attempt
but chose to present them in a different, more professional way. However, for
this cover I chose to remove my previous headline of 'This Year's Most
Thrilling Release' and instead include a smaller subtitle that says 'World
Exclusive' as I felt this allowed the reader to focus a lot more on the film
title, and the cover itself looked a lot less crowded so it would be easier for
a reader to focus on the individual components in more detail.
Magazine Cover Update 3
For this draft, I made a few significant changes to the
cover itself after some feedback by members of our target audience. Firstly, on
playing around with the colour of the background, I decided to ask people what
they thought worked better - a stark black background for the contrast or a
darker grey colour. The majority of the people I asked said that they preferred
the darker grey background and upon reflection I definitely agree, as I feel
that the grey allows the aspects of the cover to blend more softly into the
background. I also changed the actual text of one of the titles from 'The Ultimate
Horror Special...' to '30 Page Horror Special...' as from continuing to look at
more and more magazine covers, I realised that the incorporation of a special
feature such as this was very common. If the reader is an active fan of the
horror genre, they will be more likely to purchase this magazine as they have
now been made aware that a large proportion of the content will be related to
their favourite genre. Again, I played around with some of the positioning of
the cover lines and ended up moving them further towards the masthead, and I
also increased the size of our film title in order to make it more eye catching
and take up a larger proportion of the cover itself, to highlight its
importance.
Magazine Cover Update 2
For my second draft, I changed a couple of minor things with
my cover. Firstly. I removed the red-cross symbol that was previously situated
next to my 'exclusive' bubble as I felt that it did not really fit with the
rest of the cover and that it was fairly out of place. I also changed the
colour of the caption boxes for the secondary images from red to blue, as I
felt that keeping them red would have been an overload, and I would like to use
the red to highlight the key features of the cover such as the title of our
film and the masthead. Another important element that I decided I wanted to be
red was the text towards the bottom of the cover 'The ultimate horror
special...', as the red really highlights the genre of the content inside due
to its connotations of blood and gore in films. Another minor element that I
added was the month and price of the magazine just below the masthead, as I
realised from looking at many other magazines that this was very conventional,
but with Empire magazine in particular it was always very small and situated
around the masthead.
Magazine Cover Update 1
As I am responsible for the ancillary task of creating the
magazine cover, before making a start I thought it would be beneficial to watch
a tutorial (shown above) on the basics of my chosen software. I have chosen to
use paint.net, as it was recommended to me by my peers who have either used it
last year for their main production or who are currently using it in their A2
year. In addition, the software was easy to access and free to download. I
began by inserting the 'Empire' masthead and my chosen photo from our photo
shoot, to start the magazine construction:
As shown above, I started with more of a dark blue
background as I thought a plain black background might have contrasted too much
with the photo itself. At first, before I added in any of the other elements of
the magazine cover, using a black background did look slightly too stark, but
as I began to add other aspects onto the cover, I realised I preferred the use
of a black background rather than the dark blue. I added the headline 'THIS
YEAR'S MOST THRILLING RELEASE' in the font 'Copperplate Gothic Bold' which I
adopted from Microsoft Word as I felt it was effective due to the sharp edges
that surround the letters. I then also added our title font in red, which is
called 'Crucifixion' from dafont.com, but I struggled with the positioning and
background of this, so I am currently working on removing the background of it
and softening the edges:
I then proceeded to add some text/a strap-line above the
masthead of 'HUGE WINTER PREVIEW INSIDE!' in order to immediately draw readers
towards the cover, and for this I used the same font as the headline in order
to demonstrate consistency within the ancillary. I then added a bar-code down
the right hand side of our main image, in order to follow the conventions of a
typical magazine cover:
Next, I added a 'film reel/strip' panel along the bottom of
the magazine, as I had seen this effect on many other 'Empire' magazine covers
and I thought it was an innovative way of incorporating my secondary images
into the magazine cover. I added images from four recent or upcoming films
(Split, Don't Knock Twice, Friday the 13th and Saw Legacy) that all fit into
the horror genre or its surrounding sub-genres, in order to further connote the
genre of our own film even more. Also, with the help of my group member
Charlie, the black box surrounding the 'Delilah' title was successfully removed,
and this made the entire cover look more professional overall:
The next thing I did was add the captions to the secondary
images using a red text box to keep up with the conventional colour scheme and
I used the font 'Aharoni' in white as it made the text look very clear and bold
even though it is on the smaller side. I also enlarged the word 'PLUS' in the
bottom left hand corner and changed the colour of the text box surrounding it
to a brighter blue:
Changan Logo Edit
After incorporating our production logo in the trailer, we realised that it didn't look aesthetically pleasing, as the banner is narrow, therefore the logo didn't take up the whole background and looked out of place, as the stars were just cut straight off. We fixed this by expanding the background to fit a size suitable for that of a computer screen, therefore creating a smooth and professional introduction to our trailer.
Choosing Main Image for Magazine Cover (Megan)
This is the image I have chosen to appear as my main image
on my ancillary task of the magazine cover. I particularly liked this image
because it is able to achieve a direct mode of address with the reader, and
this can make them feel a stronger personal connection with the character right
from the beginning. Also, as I would like to use a darker background for my
magazine, the white shirt that she is wearing will be able to contrast with the
darker colour palette and therefore make my main image stand out more. In this
photo, Lucy is also holding one of our main props of the knife, which features
frequently in the trailer itself, and the way she is holding it to her neck
demonstrates to the reader that she is fearless and is not afraid to put
herself into a dangerous situation.
Credits & Fonts
Over the past couple of weeks, we have begun the editing
process for our trailer. An important feature of trailers is the numerous
amounts of title screens, which may consist of plot information, reviews and
information regarding the cast and crew. Since this is such as important part
of the trailer itself, it was a crucial decision for us with regards to the
font we selected for our credits. In the end, we selected a font called
'Grunge' from Final Cut Pro, as the shaping of the letters was something that really
appealed to us. Within this post, you will be able to see some examples of our
trailer credits using the font previously discussed. This font is very clear
and bold, making it extremely easy to read and understand, and the letters
themselves are also quite sharp-edged, which fits with the fonts we have chosen
to use in other aspects of our production such as the ancillaries.
Custom Green Preview Screen
We decided to produce our own green preview screen for our production, as the only others we could find were American, which wouldn't make sense for our UK-Produced trailer. The other previews featured the US's film rating company (the MPAA) therefore I switched it out with the UK's film rating organisation (the BBFC). Furthermore, I swapped out 'America' for 'The United Kingdom' within the preview, to continue the authenticity of the screen, which we will place at the beginning of our trailer.
I decided to make another change, as the previous one I made stated that the film was approved for "ALL AUDIENCES" when it should have been "APPROPRIATE AUDIENCES", due to the fact that our film would be a 15 - therefore I made appropriate alterations to my preview screen.
Poster Draft 4
Poster Draft 3
Poster Draft 2
Following feedback on my previous draft, I've decided to alter a number of features on the poster. I've changed both the release date and the tagline to a sans-serif font, as I was told that they distracted from the title, with the tagline actually looking like part of the title itself. The sans-serif font on both is more consistent with my magazine, and is still effectively bold on the poster. I inverted the colour of the tagline from black to white, so that it could be viewable on the dark background, and added a light glow to it which complements the anti-hero aspect of Delilah, emphasising her innocent side alongside the evil. I moved the tagline downwards in order to increase the size of our film's title, as that needs to be the most prominent part of the poster to get the audience to remember it.
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